Few recent events have proved as newsworthy as the 2018 Brussels NATO summit, where Presidents and Prime Ministers gathered at the Brussels Art & History Museum for dinner and debate. But none of the headlines captured the extraordinary work that took place behind the scenes. In just two weeks, leading events agency DDMC transformed the museum into one of the world’s most spectacular temporary conferencing venues while working with highly respected supplier Jacot Audiovisueel to create a user friendly, reliable and completely secure conferencing environment. Helping them to do so was the DICENTIS Conference System.
Photo: Olivier Anbergen - I Love Light
Bosch Conference – The Story of the 2018 NATO Summit in Brussels
Jacot was brought into the NATO project by DDMC, the renowned events specialist whose Technical Director, Gert Roscam, recalls that “the nature of the event required the latest technologies. But to get all of this equipment in time and in such large volumes was a real challenge”. The answer presented itself in the shape of the Congress Rental Network (CRN). By drawing on the stock of fellow CRN members, Jacot was able to provide a full solution within the short timeframe.
As the delegates sat down for dinner, the DICENTIS Conference System was awaiting them. The world leaders, ministers of defense and ministers of foreign affairs each split off into their own dedicated meeting rooms. A total of 38 multimedia devices were deployed for the world leaders, plus 38 more for the ministers of foreign affairs, and 38 DICENTIS Discussion devices with touchscreens serving the ministers of defense. Each of the three rooms was also equipped with six OMNEO interfaces plus 20 DICENTIS Interpreter desks. “We used 38 microphones for each of the three conference rooms, and we designed the systems to use 20 different channels for each room,” explains Jacot Project Manager, Kevin Dijkstra.”
Crucially, the DICENTIS Conference System needed to facilitate a user-friendly yet truly secure environment. “No signal, so sound, no bit of information could leak out. We had to do a risk assessment with every device and every cable,” says Dijkstra. “There was no opportunity to explain any of the technology, it needed to be intuitive,” adds DDMC Production Director, Stijn Snaet.
The museum itself added further complexity. The exhibits had been removed, but the historical building needed to be treated with care. Jacot’s Ruben Knelange took an innovative approach to running cables. “We went over the roof,” he declares. “We pulled the cables up through the windows, walked them over to where the interpreter booths were located and dropped them back down!”
After weeks of intense preparation, the event was declared a success.